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3rd From the Sun 1982 Album

3rd From the Sun 3rd From the Sun
Affinity
100%
0.5
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Recent Ratings
4 jfclams 3 X
First Ratings
3 X 4 jfclams
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Item description
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Length
35m 12s
Country
United States
Release Dates
1982-05-26
Description
3rd from the Sun is the sixth studio album by the experimental rock band Chrome. It was released May 26, 1982 by Don't Fall Off the Mountain.
artist
producer
label
Other Roles
Damon Edge
Damon Edge
Vocals, Moog Synthesizer, Production, mixing
Helios Creed
Helios Creed
Vocals, Guitar, production
Hilary Stench
Hilary Stench
Bass Guitar
Fabienne Shine
Fabienne Shine
Backing Vocals on "Off the Line" and "Shadows of a Thousand Years"
Tracklist
1. Firebomb 3m 43s
2. Future Ghosts 5m 19s
3. Armageddon 8m 35s
4. Heart Beat 5m 5s
5. Off the Line 4m 32s
6. 3rd from the Sun 4m 41s
7. Shadows of a Thousand Years 3m 37s

Reviews

All Reviews
After adding on a rhythm section (John and Hilary Stench, from Pearl Harbor and the Explosions), Edge and Creed set about creating song-centered, more refined takes on earlier themes. This resulted in a furious output of music in a short period of time, which ended when Edge left for a solo career in France. The two key LP's from this time are 1982's 3rd From the Sun and the lesser-known Blood On The Moon in 1981. Of the two, it's usually 3rd From the Sun which nominally gets the kid glove retrospective treatment, and for good reason - it's certainly the most outwardly "space-rock" album, of all the Chrome releases. It centers on a giant, eight-minute-plus, Gothic-style rocker called "Armageddon", has this bizarre alien insect face on the cover, and Damon even roped his then-girlfriend Fabienne Shine to guest vocal on a few tracks. Her work on "Shadows of a Thousand Years" is especially noteworthy. But do not discount Blood On The Moon, either - which might just be the absolute perfect teaming of Edge/Creed and the Stench Brothers on record, especially from a technical perspective. Simply put, both of these albums are stone-cold winners, and the lest vestiges of sanity before Edge took it with him to Europe for a string of miserable Creed-less solo records.
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