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Ball 1969 Album

Ball Ball
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Length
35m
Country
United States
Release Dates
1969-01-17
Description
Ball is the third studio album by the rock band Iron Butterfly, released on January 17, 1969. After the enormous success of In-A-Gadda-Da-Vida, Iron Butterfly modified its acid-rock sound somewhat and experimented with more melodic compositions. The band's trademark heavy guitars, however, are still evident on such tracks as "In the Time of Our Lives" and "It Must Be Love". The album reached number 3 on the Billboard 200 charts, making Ball more immediately successful than In-A-Gadda-Da-Vida. Ball was certified Gold in March 1969. It also spawned two minor hit singles: "Soul Experience", an uncharacteristically uplifting song for the group, went to number 75 on the Billboard charts, and despite its nightmarish musical tones and morbid lyrics, "In the Time of Our Lives" managed to reach number 96. This is the second and final studio album to feature the famous lineup of Ingle, Bushy, Dorman and Brann.
artist
producer
label
Other Roles
Lee Dorman
Lee Dorman
Bass, Backing Vocals
Ron Bushy
Ron Bushy
Drums, Percussion
Doug Ingle
Doug Ingle
Organs, Lead Vocals (Except on "Belda-Beast")
Erik Brann
Erik Brann
Guitars, Backing Vocals, Lead Vocals on "Belda-Beast" and "Real Fright"
Tracklist
1. In The Time Of Our Lives 4m 46s
2. Soul Experience 2m 50s
3. Lonely Boy 5m 5s
4. Real Fright 2m 40s
5. In The Crowds 2m 12s
6. It Must Be Love 3m 11s
7. Her Favorite Style 3m 11s
8. Filled With Fear 3m 23s
9. Belda-Beast 5m 46s

Reviews

All Reviews
Here we find Iron Butterfly in an envious yet very difficult position, trying to quickly followup one of the strangest commercial successes in pop music history. Little wonder it made an immediate impact - nearly topping the charts, going Gold - then fading from view just as fast, derived by critics as a wobegone relic-before-its-time. The actual truth is a bit murkier. Ball attempts to take their staunch, street-hippie sound, and spin it off into different directions, but often it's a struggle even though there are moments where you feel like they hit the right vein. Part of the problem is their is no big drawing card like an "In-A-Gadda-Da-Vida". Instead, it's a coherent set of songs in varying styles. On the one hand, it shows they were looking ahead to the next stage of their development, but on the other hand, this did not meet public expectations. Regarding the material itself, the band has even dropped the hippie mindset, and fallen into a depressing funk. This works in spurts - for example, "In The Time Of Our Lives" is an epic, paranoia-stuffed classic - but wears thin as you get through the record.
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