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Billion Dollar Babies 1973 Album

Billion Dollar Babies Billion Dollar Babies
53
Affinity
100%
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Item description
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Length
40m 51s
Country
United States
Release Dates
1973-02-25
Description
Billion Dollar Babies is the sixth studio album by American rock band Alice Cooper, released in 1973. The album became the best selling Alice Cooper record at the time of its release, hit number one on the album charts in both the United States and the United Kingdom, and went on to be certified platinum by the Recording Industry Association of America. The album has been retrospectively praised by such critics as Robert Christgau, Greg Prato of AllMusic, and Jason Thompson of PopMatters, but The Rolling Stone Album Guide (2004) gave the album only two and a half stars.
artist
producer
label
Other Roles
Alice Cooper
Alice Cooper
Vocals, Harmonica
Donovan
Donovan
Vocals on "Billion Dollar Babies"
Dick Wagner
Dick Wagner
Guitar
Bob Ezrin
Bob Ezrin
Keyboards
Neal Smith
Neal Smith
Drums, Backing Vocals
Dennis Dunaway
Dennis Dunaway
Bass, Backing Vocals
Michael Bruce
Michael Bruce
Rhythm Guitar, Keyboards, Backing Vocals
Glen Buxton
Glen Buxton
Guitar
Steve Hunter
Steve Hunter
Guitar Solos on 1, 2, 4, 5, 7, and 8; Pedal Steel Guitar on 1
Bob Dolin
Bob Dolin
Keyboards
Marc Bolan
Marc Bolan
Guitar
Tracklist
1. Hello Hooray 4m 14s
2. Raped And Freezin' 3m 15s
3. Elected 4m 5s
4. Billion Dollar Babies 3m 39s
5. Unfinished Sweet 6m 17s
6. No More Mr. Nice Guy 3m 5s
7. Generation Landslide 4m 31s
8. Sick Things 4m 18s
9. Mary Ann 2m 19s
10. I Love The Dead 5m 8s

Reviews

All Reviews
Billion Dollar Babies is the capper on a run of four albums from the Cooper band which established, for all intents and purposes, the foundation of the trash-rock style, and some say this is its defining statement. Certainly, of the four LP’s, it is the flashiest, most glam of them all – the Alice thing was at its’ peak of popularity, and it was time to cash in with the most grandiose record and live tour to match. Every one of the ten tracks on this CD we're calculated for maximum provocation, and this time Alice’s target was the rancid heart of American society along with shining a huge spotlight on those who indulged in its’ worst vices imaginable (and Alice was definitely not spared from making the latter case). But the trick was making something so grotesque sound more palatable than ever before – in fact, one of the things sorely missing from this record that is on earlier classics like Love It to Death and Killer is that hungry, gritty sound and the us-against-all-comers attitude. A very minor quibble - because really, as far as consistent, across-the-board highlights on an Alice Cooper album, Billion Dollar Babies will never be topped, and not surprising it turned out to be the last great statement Alice Cooper - as a band - would ever make.
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