Edit History
Optional description
What to report
Reason
Report

Everything Playing 1967 Album

Everything Playing Everything Playing
41
Affinity
100%
0.5
0%
1
0%
1.5
0%
2
0%
2.5
0%
3
0%
3.5
0%
4
1
100%
4.5
0%
5
0%
Recent Ratings
First Ratings
Top Lists
Not added to a list yet. :(
My Tags
No tags added.
My Lists
Not added to a list.
Choose a list
New list name
New list description
Item description
My Catalog
Length
32m 23s
Country
United States
Release Dates
1967-12-00
Description
Everything Playing is the fourth studio album and sixth overall by the Lovin' Spoonful (including two soundtrack albums), released in 1967.
artist
producer
label
Other Roles
Zal Yanovsky
Zal Yanovsky
Guitar on "Six O'clock"
Joe Butler
Joe Butler
Drums, Percussion, Vocals
Steve Boone
Steve Boone
Bass, Vocals
John Sebsatian
John Sebsatian
Vocals, Guitar, Cover Art
Jerry Yester
Jerry Yester
Guitar, Banjo, Vocals, Keyboards
Tracklist
1. She Is Still a Mystery 3m
2. Priscilla Millionaira 2m 20s
3. Boredom 2m 23s
4. Six O'clock 2m 38s
5. Forever 4m 24s
6. Younger Generation 2m 40s
7. Money 2m 1s
8. Old Folks 3m 4s
9. Oh Pretty, What A Pity 3m 4s
10. Try a Little Bit 3m 4s
11. Close Your Eyes 2m 44s

Reviews

All Reviews
One thing is for certain - unlike the first few albums, there is not much lovin' in this spoonful of a record. Rather, it's a melancholy affair which goes some way to keep up with the spirit of the times, but also has enough sense to know the attempt is futile. The end result is an album which is the most sophisticated of the four studio efforts thus far, but one that is very uneven - ranging from full-on psych-pop pieces like "Old Folks", "Close Your Eyes", the instrumental "Forever", and "Oh Pretty, What a Pity", all the way down to minimalistic statements like "Younger Generation" and "Priscilla Millionaira" (sung by Steve Boone). The album lives up to the title because this is one of those where it takes a few listens to get down the actual flow of the album in your head. The moderate hit from it was "Six O'Clock", which was definitely psychedelic in nature - Sebastian sings the hook in a strange, deadpan manner - and the rest of the band gets in songwriting credits this time around, contributing to the democratic feel. I call this one an underrated gem in the Spoonful catalog.
0

Comments

No comments yet. :(
Reason for report
Description