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Footprint 1971 Album

Footprint Footprint
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Recent Ratings
4.5 AlRog 3 jfclams
First Ratings
3 jfclams 4.5 AlRog
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Length
33m 4s
Country
United States
Release Dates
1971-11-01
Description
Footprint is the second solo album by American musician Gary Wright, released in 1971 on A&M Records. It contains "Stand for Our Rights", an anthem-like song calling for social unity that was issued as a single in advance of the album. Wright recorded the majority of Footprint in London with a large cast of musicians – including George Harrison, Hugh McCracken, Alan White, Klaus Voormann, Jim Gordon, Jim Keltner and Bobby Keys – many of whom, like Wright, had played on Harrison's All Things Must Pass triple album in 1970. Harrison's contributions included an uncredited role as producer, and serve as an example of his support for Wright during the early stages of the latter's solo career. The ballad "Love to Survive" is one of three tracks that feature an orchestral arrangement by John Barham.
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Wright's second solo effort features an all-star cast of characters backing him, and I will say the songwriting is a leap from the debut record. If you are looking for an embryonic version of The Dream Weaver - you know, without all the weird keyboards and studio tricks - then look no further than this album."Give Me the Good Earth" sets the tone, with a vaguely funky, environmentally friendly anthem. The album then veers between socially conscious material like the anti-war "Stand For Our Rights" and "Whether It's Right or Wrong", and ballads such as "Love to Survive", which again, foreshadows what future Wright would sound like. But the best of the best here is "Two Faced Man", which is a track that would have been right at home on any late-period Spooky Tooth record - take your pick - just make the arrangement a bit heavier. On Wright's album, it's been lightened up for public consumption, but it is no less challenging. Problems? Well, once again, this is two albums of squeaky clean pop, with little to no edge to it. It's hard to actually buy into Wright's supposed anger and emotion, when the tone of the arrangements are bland on the average.
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