I don’t know if I’ll ever finish this journey, but I’m back diving into No Limit’s sprawling discography. The opening track starts strong with an infectious, hard-hitting beat, but the offbeat rapping stumbles, letting the vibrant production down. Mystikal, a frequent highlight on No Limit albums, shines again on 'Liquidation of the Ghetto'. The track swaps the high energy of the first two songs for a smooth, laid-back vibe—a surprising contrast to how Mystikal would usually be used, but it works. A few tracks later, 'Ride Wit My Heat' delivers a beat that seems tailor-made for Mystikal’s intensity, but unfortunately he’s absent.
'Someone Shoulda Told Me' stands out with one of the album’s catchiest hooks, securing its place among the top tracks. Meanwhile, 'Soldier 4 Life' offers a declaration of loyalty to No Limit, even though this was the trio’s only album with the label—and their only release together.
No Limit’s relentless output inevitably led to a few forgettable acts. This trio, with its mix of gravelly tones and a swaggy delivery, has a confident sound, but their style lacks the distinctiveness needed to leave a lasting impact. Between some standout moments, there’s plenty of filler that blurs into the background, a reminder of both the label’s prolific nature and the challenge of standing out in its crowded roster.
Beats: ★★☆
Rapping/Bars: ★★☆
Hooks: ★★★
Best Tracks: Liquidation of the Ghetto, Ride Wit My Heat, Someone Shoulda Told Me, Here I Go Again, Consequences of the Streets
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