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Main Street 2000 Album

Main Street Main Street
31
Affinity
100%
0.5
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1
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1.5
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2
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2.5
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3
1
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3.5
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4
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4.5
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5
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Length
38m 39s
Country
United Kingdom
Release Dates
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Description
Main Street, credited to Roy Wood & Wizzard (whereas the group's first two albums had been credited simply to Wizzard), is the group's third album. It was initially planned to showcase the more jazz-rock-oriented, deliberately uncommercial side of the group as part of a double album, along with the material that became the 1974 album Introducing Eddy & The Falcons.
artist
producer
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Other Roles
Roy Wood
Roy Wood
Guitars, Lead and Backing Vocals, Saxes, Oboe, String Bass, French Horn, Electric Sitar, Bass Clarinet, Electronic Keyboards, Bass, Drums
Rick Price
Rick Price
Bass, Pedal Steel Guitar
Mike Burney
Mike Burney
Saxes, Flutes
Nick Pentelow
Nick Pentelow
Saxes, Flutes
Charlie Grima
Charlie Grima
Drums, Congas, Percussion, Vocals on "Don't You Feel Better"
Bob Brady
Bob Brady
Piano
Tracklist
1. Main Street 6m 3s
2. Saxmaniacs 3m 5s
3. The Fire In His Guitar 7m 17s
4. French Perfume 4m 45s
5. Take My Hand 3m 58s
6. Don't You Feel Better 5m 13s
7. Indiana Rainbow 4m
8. I Should Have Known 4m 38s

Reviews

All Reviews
Wizzard's run in the public eye crashed on the rocks of indifference and record company intrigue behind the scenes as Wood and his merry band had the intent of recording a double album - one side dedicated to a fictional 1950's rock and roll band, and the other given over to extended jazz-rock material. Long story short, Wood's record company was not fond of the idea, and only allowed the group to record the 50's tribute album as one studio record. When the time came to record the jazz-rock album (Main Street), they were not enamored with the result and shelved it for nearly 25 years, until a re-issue label called Edsel re-released it with Wood's blessing. The one thing both albums lacked was the excitement and volatility from Wizzard Brew or the early singles. There are residuals to be heard from the Eddy and the Falcons project, but it dissapates as you make your way through the album. Main Street is on a whole other wave length altogether. This is not jazz-rock of the Steely Dan or even the 1970's fusion variety - rather, like his earlier works, Wood delves back into his influences, and the end result has more affinity with the big band music of the 40's and 50's than anything else. All of this is fairly interesting - especially if you are a Roy Wood fan - but to the average listener, it tends to go over one's head, so overall, tread lightly.
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