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Ogdens' Nut Gone Flake 1968 Album
Small Faces

Ogdens' Nut Gone Flake Ogdens' Nut Gone Flake
42
Affinity
100%
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0.5
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1
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1.5
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2
0%
2.5
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3
1
 50%
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0%
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5
1
 50%
Recent Ratings
5 AlRog 3 jfclams
First Ratings
3 jfclams 5 AlRog
Top Tags
rock 1 psychedelic rock 1 pop rock 1 View all
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Item description
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Length
38m 27s
Country
United Kingdom
Release Dates
1968-05-24
Description
Ogdens' Nut Gone Flake is the third studio album, and only concept album by the English rock band Small Faces. Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for a total of six weeks. It ultimately became the group's final studio album during their original incarnation (and the last album to contain solely new material until the release of reunion album Playmates in 1977). The album title and distinctive packaging design was a parody of Ogden's Nut-brown Flake, a brand of tinned loose tobacco that was produced in Liverpool from 1899 onwards by Thomas Ogden.
artist
Small Faces
Small Faces
producer
Ronnie Lane
Ronnie Lane
Steve Marriott
Steve Marriott
label
Immediate
Immediate
Other Roles
Ronnie Lane
Ronnie Lane
Bass Guitar, Harmony and Backing Vocals, Bass (11), Electric Guitar (10), Lead Vocals (5, 10)
Steve Marriott
Steve Marriott
Lead/harmony/backing Vocals, Guitars, Harmonica, Piano (7), Organ (1), Bass (10),
Ian McLagan
Ian McLagan
Backing Vocals, Keyboards, Bass/guitar/lead Vocal (3)
Kenney Jones
Kenney Jones
Drums, Percussion
Stanley Unwin
Stanley Unwin
Narration
Tracklist
1. Ogden's Nut Gone Flake 2m 26s
2. Afterglow 3m 31s
3. Long Agos And Worlds Apart 2m 35s
4. Rene 4m 29s
5. Song Of A Baker 3m 15s
6. Lazy Sunday 3m 5s
7. Happiness Stan 2m 35s
8. Rollin' Over 2m 50s
9. The Hungry Intruder 2m 15s
10. The Journey 4m 12s
11. Mad John 2m 48s
12. HappyDaysToyTown 4m 17s

Reviews

All Reviews
2022-04-11 8:31pm
This oft-celebrated album comes off as more of a vanity project to these ears. At this point, the group was essentially a studio project, anyway. Mixing the group's material with comedian Stanley Unwin's monologues (the "Happiness Stan" story on the second side) seemed excessive enough on its' own, but even the music itself felt jittery, unfocused, and insulated from the sounds cut on the first two albums. Odgens', in this respect, stands apart from the rest of the Small Faces catalog.
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