Edit History
Optional description
What to report
Reason
Report

Return of the Boogie Men 1994 Album

Return of the Boogie Men Return of the Boogie Men
21
Affinity
0%
0.5
0%
1
0%
1.5
0%
2
1
100%
2.5
0%
3
0%
3.5
0%
4
0%
4.5
0%
5
0%
Recent Ratings
First Ratings
Top Lists
Not added to a list yet. :(
My Tags
No tags added.
My Lists
Not added to a list.
Choose a list
New list name
New list description
Item description
My Catalog
Length
Empty (Edit page)
Country
United States
Release Dates
Empty (Edit page)
Description
Return of the Boogie Men is the thirteenth studio album by British hard rock band Foghat, released in 1994. This album reunited the original members of the band, Dave Peverett, Roger Earl, Rod Price and Tony Stevens. Price had left the group after the completion of 1980's "Tight Shoes" release; Stevens had departed following the recording of "Rock and Roll Outlaws" in 1974. Beginning in June, 1994, Foghat toured through the end of 1996 to promote "Return of the Boogie Men". Two performances at the Roseland Theater in Portland, Oregon on October 25 and 26, 1996 were recorded which resulted in the 1998 live album, Road Cases.
artist
producer
label
Other Roles
No other roles added (Edit page)
Tracklist
1. Jump That Train 5m 16s
2. Louisiana Blues 5m 47s
3. Motel Shaker 4m 39s
4. Play Dirty 5m 2s
5. Nothin' But Trouble 4m 49s
6. Talk to Me Baby 3m 57s
7. I Just Want to Make Love To You 4m 17s
8. Take Me To The River 5m 14s
9. That's Alright Mama 4m 17s
10. Feels So Good 3m 3s
11. I Want You To Love Me 5m 34s
12. Writing on the Wall 4m 28s

Reviews

All Reviews
Sometime in the early 90's Peverett returned to the U.S. after a long hiatus, and reformed the original lineup of Foghat. The eventual result was Return of the Boogie Men, which sounds, and is structured like the rote, fan-friendly comeback album we all would expect from these guys. On the one hand, I guess it's a good thing they are not messing with the formula which made them famous in the first place, but on the other hand, a lot of the aura and excitement which surrounded the band is sorely missing. The new cuts collected here have that whiff of ZZ Top-inspired hokeyness to them ("Motel Shaker"), while they elect to recycle a bunch of their old tunes acoustic-style, just to reinforce the elder statesmen vibe. There was always something unique in the mood department about a Foghat album, up to this one, but here, they finally fall in line with all the generic blues clichés, and the album suffers as a whole. So, they should have stayed hidden, I'm afraid.
0

Comments

No comments yet. :(
Reason for report
Description