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Thank Christ for the Bomb 1970 Album

Thank Christ for the Bomb Thank Christ for the Bomb
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Length
39m 41s
Country
United States
Release Dates
1970-05-01
Description
Thank Christ for the Bomb is the third studio album recorded by The Groundhogs, in 1970, originally released by Liberty Records. It was engineered by Martin Birch who had previously worked on albums by Jeff Beck, Deep Purple, Fleetwood Mac and Peter Green. It entered the UK Melody Maker album charts at number 27 on 20 June 1970, and had a total of 3 entries in that chart.
artist
producer
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Other Roles
Martin Birch
Martin Birch
Engineer
Tracklist
1. Strange Town 4m 16s
2. Darkness Is No Friend 2m 43s
3. Soldier 4m 51s
4. Thank Christ for the Bomb 7m 15s
5. Ship on the Ocean 3m 27s
6. Garden 5m 19s
7. Status People 3m 32s
8. Rich Man, Poor Man 3m 25s
9. Eccentric Man 4m 53s

Reviews

All Reviews
Here begins a string of loose conceptual LPs from The Groundhogs, and the basis for their status as minor legends today. McPhee and crew now drop all old-school blues pretenses, and move the blues to progressive realms full-steam ahead. The album cover, of course, is a big hint – and I can sum it up in two words: class warfare. The majority of songs here deal with the topic, whether it be the lament of the poor man having to face the music no matter what in “Soldier”, the out-and-out alienation of “Strange Town”, the historical arc of two world wars during the 20th century in the title track, or simply McPhee blatantly spelling out his disdain for the rich in tracks like “Status People” and “Eccentric Man”. And it goes beyond a simple “us against the man” mindset here, for most of these tracks you can hear the sheer power and desperation of McPhee’s drive against the system. There was always an intensity about his work, but now, he’s transmitted it to his band members as well. “Strange Town” is about as perfect and confused as start to an album as I have ever heard – somewhat reminiscent of a Procol Harum track, but heavier with the blues influence – and the main thing here is, that feeling of being somewhere you absolutely do not belong whatsoever. The title track is another water mark, where the players reach a heightened sense of fury towards the end of the deal almost out of nowhere. “Garden” is yet another track where everyone involved ratchets up the intensity factor beyond levels unimaginable – as if McPhee seems hell-bent on protecting that little patch of green of his at all costs.Not every track here connects in this exact fashion – “Ship on the Ocean” or “Darkness is No Friend” feel like lesser takes on these ideas – but generally, TS McPhee is now highly emotional about a lot of things and was surprising adept in communicating this displeasure to his band mates as well. And speaking of class warfare and all of that – well, as good as “Soldier” is, we have this album cover to remind us all just what class of people usually get sent off to fight these costly, bloody wars, right?
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