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Extended Versions 2000 Album

Extended Versions Extended Versions
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Length
1h 3m 8s
Country
United States
Release Dates
2000-08-15
Description
Extended Versions is a live album by Humble Pie, released in 2000, as part of BMG's Encore Collection. It has tracks taken from the King Biscuit Flower Hour Presents - Humble Pie In Concert, which was a 1996 release of a concert recorded on May 6, 1973 at San Francisco's Winterland Theatre.
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Other Roles
Steve Marriott
Steve Marriott
Guitar, Vocals
Venetta Fields
Venetta Fields
Backing Vocals
Clydie King
Clydie King
Backing Vocals
Billie Barnum
Billie Barnum
Backing Vocals
Tracklist
1. Up Your Sleeves 3m 57s
2. Four Day Creep 3m 34s
3. C'mon Everybody 7m 21s
4. Honky Tonk Woman 5m 41s
5. Stone Cold Fever 2m 3s
6. Blues I Believe To My Soul 5m 19s
7. 30 Days In The Hole 7m 50s
8. Road Runner 12m 28s
9. Hallelujah, I Love You So 7m 37s
10. Hot N' Nasty 7m 18s

Reviews

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You may find this as King Biscuit Flower Hour Presents Humble Pie In Concert which was released four years earlier with a different cover and added “I Don’t Need No Doctor” to the track list. But no matter what version you have, the material comes from a concert at San Francisco’s Winterland Theatre in either May or June of 1973. So, that means we are dealing with the post-Frampton/Clempson/Blackberries lineup of the band, which is interesting, in that we get to contrast between that and the “super group”/Fillmore live album and see what happens. In some respects, there is no contrast at all. Many of the characteristics of Fillmore – Steve’s singing banter between songs, the carryover of material itself, the sheer energy of the experience – are either firmly in place or only further amplified. But I do sense one big difference between Fillmore and Winterland – desire. No doubt the band playing the stage at Winterland is still big, tough, meaty, and packs tons of thunder, but at the end of the day, it’s a Vegas-revue compared to the hungry, make-or-break bunch that stormed the stage at the Fillmore East. At one point, Marriott introduces the Blackberries and I feel like all of their names should be flashing behind them in lights and sparkles. This is just before they cover the ‘Stones “Honky Tonk Women”. It all smacks vaguely of Elvis and the jump suit crowd, not the rough and tumble Humble Pie I’ve come to know. However, the band does deliver where it matters most – in the music department. I do, by and large, like most of these songs, and furthermore, the quality of recordings is very nice and clear. You just have to understand, compared to the Fillmore experience, this is the slicker, more professional sounding Humble Pie on stage now – far more concerned with sheer audience interaction and back-and-forth bantering than putting any new spin on overplayed material like “30 Days in the Hole” or “C’mon Everybody”.
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