Out of the last 4 studio efforts, this is the most adventurous and accessible one of the lot, although this version of the band is more restrained than they were during the psychedelic era. John Wetton's bass provides a solid anchor for the rest of the band to play off of, and the end result resembles a reined-in version of Traffic's meandering early 70's sound. One of only two Family records that charted Stateside.