For those who missed this in 1988, you’ve got to give credit where it’s due—BDK’s rapping was a game-changer in terms of originality and impact. Personally, I’m not a big fan of ’80s hip-hop production, and a lot of these tracks reinforce why. The corny love songs, like 'The Day You’re Mine', and some cringeworthy bars—mostly from Biz Markie on 'Just Rhymin’ With Biz'—don’t hold up well. Speaking of that track, I assume it’s a live recording, but while Biz’s mic sounds fine, BDK’s is distorted and rough limited the appeal of the song. The content is almost entirely battle/brag rap, but there are still standout moments that I’d gladly replay even in 2025. 'Set It Off' (Kane's favourite song of his) and 'Ain’t No Half-Steppin’' are the standout tracks, bursting with energy and aging better than the rest. Beats: ★★☆ Rapping/Bars: ★★★★ Hooks: ★★☆ Best Tracks: Set It Off, Ain't No Half-Steppin', Word to the Mother (Land)