This album was seen as the point where BDK sold out, with a poppier sound that had been gradually increasing since his debut. Lyrically, there are more tracks aimed at the ladies, while the brag rap was beginning to wear thin. That said, the production isn’t bad for the most part, and he’s still spitting. There’s still some solid boom bap, like 'Brother, Brother' and 'Come on Down'. The biggest issue for me is that there’s nothing truly great here. All of his other album shave higher highs. Beats: ★★★ Rapping/Bars: ★★★☆ Hooks: ★★☆ Best Tracks: Prince of Darkness, The Lover in You, Brother Brother, Come on Down