Zephyr's debut record is usually dismissed as either a Big Brother & The Holding Company clone because of frontwoman Candy Givens and her Janis-like vocals, or as just the project which launched guitar God Tommy Bolin's career. There's a kernel of truth in the former sentence and more than enough fallacy, for they were really a loose, heavy-blues, jazz-inflected ensemble better suited for the stage than the studio, having not that much in common with the folk-leaning San Francisco sound. It's difficult to distinguish one song from another and better to enjoy the overall vibe and great interplay between the musicians. One drawback is the muddled production, which tends to hoard the instruments together and somewhere there is Candy's howling voice in that maelstrom. But this is a nice album from a gutsy band that deserved better.