Edit History
Optional description
What to report
Reason
Report

Fool For The City 1975 Album

Fool For The City Fool For The City
41
Affinity
100%
0.5
0%
1
0%
1.5
0%
2
0%
2.5
0%
3
0%
3.5
0%
4
1
100%
4.5
0%
5
0%
Recent Ratings
First Ratings
Top Lists
Not added to a list yet. :(
My Tags
No tags added.
My Lists
Not added to a list.
Choose a list
New list name
New list description
Item description
My Catalog
Length
35m 37s
Country
United States
Release Dates
1975-09-15
Description
Fool for the City is the fifth studio album by English rock band Foghat, released on September 15, 1975. This was their first platinum album and features, along with the title track, their signature song "Slow Ride". This was also the first album the band recorded after the departure of founding member, Tony Stevens, and featured producer Nick Jameson on bass and keyboards, who also co-wrote the album's closing track, "Take It or Leave It", with Dave Peverett. Although featured in the photograph on the back cover of the album, Jameson is not known to have toured with Foghat in support of the album. Bassist Craig MacGregor was recruited shortly after the album's release, although Jameson would continue to produce and record intermittently with the band over the next couple decades.
artist
producer
label
Other Roles
No other roles added (Edit page)
Tracklist
1. Fool For The City 4m 32s
2. My Babe 4m 36s
3. Slow Ride 8m 13s
4. Terraplane Blues 5m 44s
5. Save Your Loving (For Me) 3m 31s
6. Drive Me Home 3m 54s
7. Take It Or Leave It 4m 49s

Reviews

All Reviews
So, this album is known far and wide as the breakthrough for Foghat, because it's the one which contains "Slow Ride". The one which contains the cover picturing Roger Earl with his fishing line in an open manhole cover. The one where the band totally went over to the pop-blues side of the fence, and forsook their blues-rock masters. And you know what? It's a damn fine album, anyway. Fool for the City is a raunchy party album, to the extreme. The title track kicks things off in classic Lonesome Dave style, with a dopey, yet personable tale about a dude who prefers the action of the city to boring country life. And the music feels like a bunch of loud, screeching hot rods on dark pavement, leaving tire tracks. The insanity continues with "My Babe", the sing-along old Righteous Brothers cover which Humble Pie formerly mixed into their version of "Rollin' Stone". Here, it's just another excuse to party and head bang to Price's slide licks. Up next, is the main course - the full enchilada of "Slow Ride", which runs for over eight minutes - not the shortened version most people hear on the radio. Essentially, the band breaks it down into two sections - the easy-struttin' initial half, which has massive, sleazy strip-club overtones - and the furious, race-to-the-finish second part, which builds and builds until a final, ultimate climax. Definitely, "Slow Ride" is something which could have been only been made in either the 70's, or maybe the 80's, and it is an all-time sleaze-rock classic. The rest of the album, incidentally, is a gradual comedown from that raunchy high. They throw in another, brutish cover ("Terraplane Blues", given over to more slide guitar and dominance from Earl's thunderous drum kit), a more playful toss in the hay ("Save Your Loving For Me"), getting back to bar-room basics ("Drive Me Home"), before rounding off on quite the subdued note (the soft-rock ballad "Take it or Leave it"). Again, the main thing here is how pop and out front this album is, compared to the ones that came before it. And it works pretty well, even though it is short, both in amount of songs and in run-time.
0

Comments

No comments yet. :(
Reason for report
Description