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Introducing Eddy and The Falcons 1974 Album

Introducing Eddy and The Falcons Introducing Eddy and The Falcons
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Affinity
100%
0.5
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1
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1.5
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2
0%
2.5
0%
3
1
100%
3.5
0%
4
0%
4.5
0%
5
0%
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Length
35m 19s
Country
United Kingdom
Release Dates
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Description
Introducing Eddy and the Falcons is the second album by the English rock band Wizzard. It peaked at No. 19 in the UK Albums Chart – ten places higher than its predecessor, Wizzard Brew. The album had a concept similar to The Beatles' Sgt. Pepper's Lonely Hearts Club Band, in that the intro 'featured' the appearance on stage of fictional band Eddy & The Falcons. All tracks were written and recorded as tributes to 1950s and early 1960s rock and roll musicians. The album was initially meant to be half of a double album by the group, with the other half in a more progressive or experimental jazz-rock style. However, the record label heard the work in progress, and asked for the rock and roll part to be recorded and released as a single album. The jazz-rock material was recorded later but not released until 2000, on the album Main Street – some 25 years after Wizzard had disbanded.
artist
producer
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Other Roles
Roy Wood
Roy Wood
Vocals, Guitars, Drums, Oboe, Cello, Bass, Keyboards, Bassoon, String Bass, Tenor and Baritone Saxes, Percussion
Rick Price
Rick Price
Bass Guitar, Guitar, Vocals, Percussion
Charlie Grima
Charlie Grima
Percussion
Mike Burney
Mike Burney
Tenor and Baritone Saxes
Nick Pentelow
Nick Pentelow
Tenor Saxophone
Bob Brady
Bob Brady
Piano and Vocals (On Final Track) and 'incidental Boogies'
Bill Hunt
Bill Hunt
Piano

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Wizzard's run in the public eye crashed on the rocks of indifference and record company intrigue behind the scenes as Wood and his merry band had the intent of recording a double album - one side dedicated to a fictional 1950's rock and roll band, and the other given over to extended jazz-rock material. Long story short, Wood's record company was not fond of the idea, and only allowed the group to record the 50's tribute album as one studio record. When the time came to record the jazz-rock album (Main Street), they were not enamored with the result and shelved it for nearly 25 years, until a re-issue label called Edsel re-released it with Wood's blessing. The one thing both albums lacked was the excitement and volatility from Wizzard Brew or the early singles. There are residuals to be heard from the Eddy and the Falcons project, but it dissapates as you make your way through the album. Main Street is on a whole other wave length altogether. This is not jazz-rock of the Steely Dan or even the 1970's fusion variety - rather, like his earlier works, Wood delves back into his influences, and the end result has more affinity with the big band music of the 40's and 50's than anything else. All of this is fairly interesting - especially if you are a Roy Wood fan - but to the average listener, it tends to go over one's head, so overall, tread lightly.
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