BDK expands his range here with more conscious themes than on his debut. However, the ending of one of those conscious moments, 'Children R the Future', comes off as corny. DMX would later use the sample better, but 'Young, Gifted and Black' remains a standout. Some of the crooning on 'To Be Your Man' feels awkward, and Kane doesn’t quite excel at the slower tracks. 'Smooth Operator' is solid, but not as exceptional as some make it out to be.
The storytelling on 'Calling Mr. Welfare' is a highlight, critiquing individuals who misuse government assistance due to poor choices. 'Wrath of Kane', a track that didn’t make his first album, appears here in a live version. Kane’s heavy breathing on it, though, is a reminder of why some tracks are better suited for studio recordings.
Teddy Riley contributes production to 'I Get the Job Done', and if you know his style, it’s easy to spot. The track works well, bringing a fresh vibe. 'The House That Cee Built' dives into hip-house territory and hits hard.
Overall, while in some ways this album benefits from a slightly more modern production style—courtesy of Kane, Marley Marl, Mister Cee, Prince Paul, Easy Mo Bee, and Teddy Riley on the boards—it lacks tracks as impactful as 'Set It Off' or 'Ain’t No Half Steppin’' from his debut. Though more well-rounded, it never reaches amazing heights for me, making his first album the stronger effort.
Beats: ★★★
Rapping/Bars: ★★★★
Hooks: ★★☆
Best Tracks: It's a Big Daddy Thing, Young Gifted and Black
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