Although it was initially meant as a simple promotional teaser for Revenge of the Sith, the 2003 animated series created by Genndy Tartakovsky became something much more: an essential narrative bridge for true Star Wars fans. With its distinctive visual style —rough, schematic, almost minimalist— and a storytelling approach that prioritized pure action and symbolism over dialogue, Tartakovsky pulled off something that seemed impossible: saying more with less. What began as a series of three-minute silent shorts evolved into a work with its own identity, one that not only explained key moments of the saga (like the origin of Grievous’s cough or Anakin’s scar) but also managed to stir emotions and captivate viewers. The most fascinating thing about Clone Wars is its ability to condense epic moments, mysticism, and character development in just a few strokes. Anakin, for example, doesn’t need long speeches to show us his descent into darkness: a brutal duel on Yavin IV and one final look say it all. And while the animation might seem crude or exaggerated to some, it fits perfectly with the heroic, almost mythical tone of the series. Mace Windu crushing armies with his bare fists, Kit Fisto gliding through the water with lethal elegance, or Grievous’s chilling debut as a mechanical nightmare… these are unforgettable moments. It may no longer be part of the official canon, but for many, this remains the true missing link between Episodes II and III. And honestly, it’s hard to argue with the heart on that.

Watching Droids today feels like digging up a blurry memory from a time when Star Wars was trying to expand without really knowing how. The show, led by C-3PO and R2-D2, had good intentions: showing us their adventures before they joined the Rebellion. But beyond the nostalgic value and the built-in charm of these two droids, the result is a minor product—uneven and lacking clear direction. Each episode is basically a reset, with new "masters" and storylines that rarely manage to grab your attention. Neither the animation nor the writing ever takes off. It's nice that they tried to move outside the usual framework of the saga, but the whole thing ends up feeling like an empty, overly childish show with little ambition. That said, some people still remember the catchy intro song, and honestly, that might be the best thing about it. It’s a strange entry in the Star Wars universe—worth seeing only if you're a die-hard fan or a completist.

It’s honestly hard to defend this series, even from a nostalgic point of view. The first season, while far from good, at least tried to deliver small adventures on Endor’s forest moon with a touch of charm. It didn’t shine in terms of animation or writing, but it had some rhythm and introduced characters like Wicket, Kneesaa or Teebo in a friendly way. The real issue is the second season, which throws everything remotely decent out the window. The designs get worse, the settings feel overly simplified, and the tone becomes even more childish—borderline preschool level. It’s hard to believe something so clumsy is officially part of the Star Wars universe. Still, as weak as it is, there’s some merit to its place in Star Wars’ expanded history. For many, this was their first encounter with the saga as kids, which explains the affection some fans still hold. But watching it today, especially compared to any modern Star Wars content, Ewoks feels outdated, repetitive, and directionless. Only worth watching out of pure curiosity or galactic completism.

The best thing about Star Wars: Visions is how boldly it steps away from the usual formula. Instead of retracing familiar paths, it dives headfirst into telling stories from new angles, with complete creative freedom. Each episode is a small animated capsule filled with personality, style, and risk. Watching how different studios interpret the Force, the Sith, or the Jedi—each from their own cultural background—is not only refreshing, it feels essential to keeping the franchise alive. The animation is stunning throughout: from clean, elegant lines to the wildest designs, everything stands out. Not every chapter lands equally well, but even the weakest ones include strong moments and striking visuals. As a whole, this is an anthology that celebrates creative freedom and love for a galaxy that still has so much more to offer beyond canon. Visions is not just a breath of fresh air; it’s a love letter to the saga, told from corners of the world that rarely get a voice in productions of this scale.

LEGO Star Wars: All-Stars brings together short stories featuring iconic characters like Han, Chewie, Lando, BB-8, and Leia, alongside newcomers like the Freemakers, all wrapped in the franchise’s signature humor. The anthology format works especially well in episodes like Roger’s, which stand out for their wit and energetic pacing. It doesn't aim to be deep or reinvent the saga, but it does manage to entertain with warmth and charm. The animation is vibrant, there's a nice nostalgic feel seeing these characters in new scenarios, and the episodes flow with a cheerful rhythm. Some stories may feel weaker or a bit disjointed, but overall it’s fun, accessible, and perfect for casual fans or younger viewers. It delivers exactly what it promises — and leaves you smiling.