The Disaster Artist covers the production of one of the worst multi-million dollar movies ever made: "The Room." As seemingly unlikely to be made as The Room itself... About a movie funded by the mysterious alien-like Tommy Wiseau, the Franco brothers both provide a wonderfully unique performance in what was probably one of the hardest (or at least outlandish) role for Dave Franco. While nobody can really emulate Wiseau except for Wiseau, Dave's effort is about as close as it gets. If you can't manage to bear even attempting to watch The Room like myself, then this movie will provide you all you need to know in an entertaining and bearable cringe-inducing ride... That at the same time manages to be respectful towards its source material and even Wiseau to an extent.

Everything just feels different in this show, to me at least. I like how Donnie is, I like how Raph is the leader and how he's very encouraging, but I absolutely despise Leo and Mikey. Spilnter was done dirty and April is awful. I wish Warren Stone and Baron Draxum had shown up more, but I still loved them but that does not mean I liked the show. I hated the split episodes, the continuity errors, and dumbass Leo and Mikey. April was such a bully, so why make her black if you were going to ruin her. You could have written her to be a great friend and ally, but instead you made her into a bully, and the writers are racist because she's black and a bully! I hate Nickelodeon but they own the turtles so I am in pain!

Game of Thrones is the last popular show. It is the last show that you can ask anyone about and they will know something about it. It captured a wide audience before video streaming services with their massive libraries catapulted into ubiquity and fragmented viewers that shows like Lost once united. GoT is a complex and sprawling epic that tapered off at the end, but no one will doubt its ambition and cultural impact. Its legacy will be cemented in television history.

This is one of the three movies I’ve ever seen in my whole life where I came out of the movie theatre and immediately said “I want to see that again.” And so I did. A week later. And I would’ve again but it went out of cinemas before I got the chance. And now today I recurved it in the mail to watch at home, and it’s just as good as I remember it being. Now to be clear, while it doesn’t make much sense even though I’ve given it a perfect rating, I wouldn’t say this is a perfectly made movie, it’s not the kind of movie where a thousand movie buffs can sit down and watch it a hundred times and point out the brilliance of the cinematography and the themes and the emotions etc. While it is certainly is strong in those areas, it’s not one of those movies. What it is, however, is the most pure form of entertainment I’ve seen. Which is what a movie is literally made to be so, it’s just just perfect in a different sense in my opinion. From the over analysis point of view, there are still many pros. The set design makes the Thrombey mansion look like a fucking museum, with symbolism and details everywhere. The soundtrack, while not my taste in music, matches the movie perfectly and accomplishes what it’s trying to do with flying colours. The cinematography is great, it’s filmed on digital but then it was edited to make it look like it uses film to get the best qualities out of both, which is a great idea and suits the movie very well, and there are some shots which are really well done with symbolism and composition and the like. Whoever casted this movie is a genius, Chris Evans as someone who’s very much not Captain America was hilarious to watch, and I’m bias because I love Ana de Armas but her acting was brilliant, and Daniel Craig was hilarious and I thought his accent was great despite how others feel about it. The plot is genius with lots of twists and turns and because of the way it’s made it makes it rewatchable, even though murder mysteries usually can only be watched once because you know who did it. It’s also good to see it mixed with a comedy, and actually makes a modern murder mystery that isn’t set in Britain which now that I think about it is surprisingly rare. Some people got annoyed by it having a political opinion about immigrants but I don’t really see why, it’s brought up 4 times and it’s only the centre of the conversation once. And honestly, usually the people who complain about it are only complaining because they disagree so and that only means one thing so. Overall this movie is just so fun to watch, it’s funny and every time you watch it there are new things you notice. My favourite movie because it just brings a massive smile to my face that doesn’t drop until about an hour after I’ve seen it. And if that isn’t a sign of a massively entertaining movie, I don’t know what is.

A culmination of dozens of strong personalities and deep histories is difficult to contain coherently in a movie, even in a 3+ hour one, but Endgame manages to be a satisfying conclusion to the Avengers saga that feels flawless. Of course Endgame has the advantage of 923859 preceding films to shape its characters, but connecting them all is still a challenging endeavor. One critical way they succeeded in this is the pitch-perfect casting throughout the series. Can you see Tony Stark as anyone else other than RDJ? And who isn't happy that Mark Ruffalo replaced Edward Norton and made The Hulk so much more charming and likable? What surprised me the most was the first portion of the film, which is largely a rumination on loss. It depicts the somber struggles that superheros and common people alike are facing since the snap. Some attend therapy sessions, some drink the pain away, and some move to lakeside cottages to forget it all and focus on their families. This segment of the film felt more like an Oscar-contending drama than a blockbuster superhero film. Endgame manages to be a good comedy film too. Peppered with one-liners that make you exhale through your nose and gags that make you self-conscious because you're laughing a little too loudly, it's obvious the filmmakers took notes from the fiercely entertaining Thor: Ragnarok. The action sequences, the major crowd-drawing power of superhero films, are all delightfully unique. The setup, style, and scale of each fight is different from the last. You will see impeccably choreographed one vs. one hand-to-hand combat and also planet-scale war, all finely orchestrated as you'd expect if you paid attention to any of the discourse on this marvelous film.