Live Again' is great. I loved it when I first heard it and it still stands up. 'Ghetto Classics' gives off a 'Ha' vibe and is another strong song. The minimally produced 'Wait (The Whisper Song)' gets points for originality regarding the vocal delivery but whispering is annoying as shit for more than 10 seconds and here we have it for three minutes. I don't mind songs about sex but they are better with some subtlety. 'Pull My Hair' follows the same formula minus the whispering. It's sexually explicit and definitely isn't over-produced. 'Bedroom Boom' is overly sappy and one of the weakest moments on the album. 'The Walk' gets us off the sex and is hard as nails and one of the better moments from the second half. A mixed bag in every area. The best moments are good snap/southern hip hop though. Best Tracks: Long Time, Live Again, Ghetto Classics, Hoes, The Walk

After about eight songs here, my thumb was pointed straight to the ground. The 'ballads' have no build up and the attempts at radio songs are very mediocre. From there it improves to be an album of two halves. 'Late Night' isn't a bad upbeat R&B joint. 'Smart Phones' is what I want in R&B with vocal build up as it progresses. And it basically follows that formula with catchier hooks towards the album's conclusion with 'Love Around the World's'. Best Tracks: SmartPhones, 'Yes, No, Maybe', Love Around the World

Life on D-Block takes a while to heat up. While 'Time 2 Get Paid' is pretty good with the Biggie sample, nothing really caught my attention greatly till 'The Boyz From NY', which has one of the best beats on the album. Overall, nothing is too bad but nothing is brilliant either. On some tracks though, I really enjoy his flow and wordplay and think with some overall better production he could make a much better album. Best Tracks: That Nigga, The Boyz From NY, My Guns Go, Give That Up, Not Livin' It, Time 2 Get Paid.

Disappointing album and the worst out of the four solo albums from Ne-Yo at the time of release. 'One in a Million' aside, it doesn't really feature a great track as we are used to from his albums. Due to its short length and containing plenty of solid songs it gets a reasonable rating from me, but it never takes off. Also, many of the songs are too same-same. 'Genuine Only' particularly reminds me of his previous work, and not much of a new sound is present. The best track comes at track six in 'One in a Million' with a nice hook and production, and other reviews I'm seeing seem to agree with that opinion in it being the strongest song here. Still worth checking out for fans though. Best Tracks: Makin' a Movie, Telekinesis, One in a Million

Swizz Beatz... You can pick his beats from anywhere, particularly from the era this was released in, and that isn't necessarily a good thing. I've never been a fan and there have been many occasions where he has produced the worst song on albums. Here though, it's almost all him. It is hard to get excited about this from the intro where Swizz says the same thing over a poor backdrop. It sets the standard for the majority of this album. Another reviewer labelled the beats as soulless and it's not a bad description. Eve spits hard gangster lyrics that you'd expect and there's nothing great there either but the beats, and hooks in some cases, are the biggest issue here. My favourite track is one of the couple Swizz doesn't handle; the less gangsta, 'Heaven Only Knows', produced by Shok. As with 'Heaven Only Knows', 'Let's Talk About' is probably my other pick where Eve and Drag-On trade bars offering something different. Nothing is memorable. Thankfully her next couple of albums would be a step up. Beats: ★☆ Rapping/Bars: ★★★ Hooks: ★★ Best Tracks: Let's Talk About, Heaven Only Knows