[Spoilers] Some of the reviews I've seen of this film... "He learnt nothing from it"... He clearly learnt how hard it was to be a woman and the advantages he had being a man in his line of work. He actually calls his old boss a male chauvinist for one. Maybe he wasn't about to march down the streets for women's rights, but to say he learnt nothing from being in a female's body is wrong. "Terrible ending"...For me the ending worked. Being preyed upon by men and then getting rapped and dying in the escape was the grim punctuation mark on the message this movie was trying to send about sexism and the differences between the genders. It also worked because it was unexpected. "Offended by it as a transgender". Surprise, surprise... Enough said. I watched the dubbed version and the first thing that caught my attention was that the doctor's/mad scientists' name was Adolf/Adolfo in the non-dubbed. It almost fits into the Nazi exploitation genre because of this. It isn't the most exciting movie, but has original elements and was entertaining enough for a decent rating. Closer to a 3 than a 2 out of 5 for me.

The only thing bad here is 'It's Over' that gives off bad late '90s pop Jay-Z vibes to me. The chorus is completely unlikeable. 'Sunshine' is the next worst, but isn't as skippable. Other than that, this is bouncy, funky, west coast hip hop from front to back Beats: ★★★☆ Rapping/Bars: ★★★★ Hooks: ★★★☆ Best Tracks: Space Boogie, Hate on Me, Lay It on Back, Can't Go Wrong, On Onsite Just Don't Give a Fuck

This one is another consistent release from Scarface. Every song is basically a 7-8 out of 10, but nothing quite hits the classic status of some of his earlier hits. I don't feel some of the production is quite as A-tier, particularly a large portion of the second half of the album. It's still a worthy project from one of the best to do it though. Beats: ★★★☆ Rapping/Bars: ★★★★ Hooks: ★★★☆ Best Tracks: Never, Big Dog Status, Girl You Know, The Suicide Note BONUS TRACKS 13. B' Word 65 14. Crack 75

This feels like a redundant entry in an already overcrowded dystopian/action, human-hunting subgenre. Despite Wright’s proven stylistic flair, the film rarely justifies its own existence, offering little that feels fresh or incisive. The satire is blunt, the spectacle familiar, and the social commentary, once the point of this story, lands with a thud rather than a bite. At a time when Hollywood seems fixated on recycling concepts instead of rethinking them, this feels emblematic of the problem: technically competent, occasionally slick, but creatively hollow. It didn’t need to be made, and worse, it never convinces you otherwise. I found myself pretty bored.

There are a few moments that will put a smile on your face, as you’d expect from these writers, but the lead character comes across as awkward and irritating which is an odd mismatch for someone who’s supposedly able to attract women effortlessly. The first-date reunion between him and Alex feels poorly written, poorly acted, or both, and there’s very little chemistry on display. Overall, it lands closer to a 2 than a 3 out of 5.