I'm back to trying to get through No Limit's discography and this wasn't a good reintroduction. There just isn't anything that good. Some of the production sounds cheap or like everything else from No Limit. Beats: ★★ Rapping/Bars: ★★☆ Hooks: ★☆ Best Tracks: Let's Do It, Hot Shit, Southern Funk,

I could almost copy and paste my review of Ro's last album, 'The Ghetto Gospel', for this one. It's solid but there is nothing to play on repeat. Best Tracks: Live My Dreams, Paybacc, No Ice, Rother, Him, Die

This gave off Roadracers and Streets of Fire vibes. It's one of those style over substance movies. Everything about is forced. The acting is poor. Some movies that try to portray the main character as 'cool' really don't pull it off. Where I'm from, we shorten names, but here, you here the protagonist called 'Rusty James' every five seconds for whatever reason. To increase the word count of the script? It's annoying.

Termanology is a safe artist. You know when he drops that you'll get a solid project of boom bap with lyricism. Unfortunately, we don't get enough top tier songs though. He peaked early in his career with the amazing Premier produced 'Watch How It Go Down' and since then nothing has beaten it. This is another decent album, but as with many albums around this 3 outta 5 region, nothing is amazing. Best Tracks: Hustler's Soul, The Connect, She Got a Thing for Me, The Game Ain't the Same

This is listenable gangsta rap from front to back, where it seems like Mack was attempting to put other artists on, (none of them seemed to get close to hitting the big time), but there's nothing at all memorable, including Lil Jon's and Timbaland's production, who didn't bring their A-game. Beats: ★★☆ Rapping/Bars: ★★☆ Hooks: ★★ Best Tracks: Welcome to the Hood, Hittin Switches, Pay Back