Not great, and his worst album up until this point, but it's worth checking out for the title track alone. So good. Best Tracks: Invincible, Born to Love

Lemar, "initially rising to fame after finishing third on the first series of British talent show Fame Academy", is underappreciated. He has a handful of my favourite R&B songs and there is one of those here. It kicks off with 'Dedicated (Intro)' that lets the listener get a feel for his unique vocals before his infectious hit, and my introduction to him, 'Dance (With U)', hits. 'Fresh' follows suit with an upbeat, danceable tune. '50/50' has an engaging hook and is produced by legends, Stargate. 'Another Day' is the song I was alluding to earlier. It's my second most played song on Last.fm. It's a fire ballad. Unfortunately more R&B doesn't take from its play book by including more build-up and variety. From there, while nothing quite reaches the same heights, the overall quality stays solid. Tracks like ‘Let’s Stay Together’ and ‘Lullaby’ showcase the strengths mentioned earlier: the former features a ridiculously catchy hook, while the latter closes with a lovely shift, almost invoking a choir. ‘Hot Summer’ is the closest the album comes to hip hop, with Lemar even flirting with the “N” word before swerving into “jiggaz” instead. He’d go on to craft more consistent albums, but this one is absolutely worth checking out. Best Tracks: Dance (With U) Another Day, Let's Stay Together, Lullaby 1. Dedicated (Intro) 2. Dance (With U) 90 3. Fresh 64 4. 50/50 70 5. Another Day 100 6. Sweet Love 63 7. No Pressure 67 8. Body Talk 50 9. What About Love? 60 10. Good Woman 70 11. Let's Stay Together 83 12. Hot Summer 64 13. Alright with Our Love 74 14. Lullaby 83 15. All I Ever Do (My Boo) 54

It's not much of an NFS game, but the mechanics, modes, graphics, etc is all fine. The big problem here is that it's way too easy that it's boring and not worth putting much time into as it's no challenge. Did they have disabled people play-test this? Maybe they just thought they'd be able to rely on online play?

This is a strange film that sees refugees landing on the Italian coast. Some want them gone, others want them to be looked after. It starts off looking cheap and amateurish, and it never really shakes that feeling. The acting is patchy at best. One of the main asylum seekers, in particular, is remarkably unconvincing. The Italian cop in the lead role is solid, but most of the supporting cast falls flat like the anti-migrant American's whose dialogue often sounds forced. Anna, the character desperately trying to help one of the asylum seekers, is written with intent but doesn’t land. She is played as being sort of mental and it's never explained. Despite what the bandwagon might claim, Uwe Boll can and has made good movies, but this isn’t one of them. 1.5-2/5.

Feels like a documentary at times especially the overly long scenes regarding consent. It goes almost all the places you'd expect a film about a woman getting into the adult industry to go. Remove the eye candy and there isn't much of a movie here. Joy assaults Caesar and then acts innocent.