R. Kelly contributes both production and vocals on three tracks, bringing a mix of new jack swing, gospel, and R&B influences. The album benefits from its variety, offering a good balance of upbeat numbers and slower cuts. The standout moment comes at the very end, where the instrumentation and vocals build beautifully to a strong finish. Overall, All Out is an easy and pleasant listen with a few highlights, but too much of it feels forgettable, and the high points never quite reach the heights they could. Best Tracks: That Extra Mile, All You Ever Been Was Good, He Said Go

Beautiful Scars is the worst song from the three. I don't like the hook. Overall this comes across as preachy at times, and you'd hope the album has some more feel good songs like Switch, but

This starts off a little slow but the album develops into providing some worthwhile catchy cuts. Coming from Untouchable Records, at times it sounds like it would've fitted right at home on No Limit. And like a lot of The Tank's albums, it's not amazing, but not bad. If you like that late '90s southern/dirty south sound, you'll get something out of this. Beats: ★★★ Rapping/Bars: ★★★ Hooks: ★★★ Best Tracks: Roll It Up, Hot Boy, Lil Nigga Thuggin, Return of the Gravefillers

Good beats from E. Sermon, and Payne delivers solid verses. The production and the energy is there, but with only three tracks, it feels more like a teaser than a full experience. It’s tough to rate such a short project—everything here is solid, but it leaves me wanting more. Best Tracks: Right Cross, The Uppercut

Decently consistent west coast g-rap. Self-produced, it isn't as strong as his debut, which is the only Sean T album I've checked out at this point. There are some catchy moments but there is nothing A-level here and it falls away on some tracks. Beats: ★★☆ Rapping/Bars: ★★★ Hooks: ★★★ Best Tracks: Hataz, In Yo Look, In the Hood, Sean Gotti, All Night, Livin'