Much of the production on this long-long-long awaited album from Rakim is just okay, with the main problem being the soft average choruses that appear on quite a few tracks. Generally, the chorus is meant to be the catchiest part of a song but it is Rakim's verses which are most memorable. However, even on his previous two solo albums for me, the production was far from brilliant on many tracks but Rakim held the albums down, particularly on 'The 18th Letter'. He does such things on this album also and turns an average beat into a good song. It would be hard not to enjoy Rakim over a metronome though. The subject matter features brag rap, some about the state of hip hop, a couple of hood songs and a chick song or two. It would have been nice to hear a bit more about what he has been up the last ten years while he hasn't dropped anything, but nevertheless, most of the lyrics are interesting enough. I can understand people not loving this album due to the soft hooks and overall production, but overall Rakim hasn't lost his flow and I'm still enjoying it after quite a few spins. Best Tracks: How to Emcee, You and I, Won’t Be Long, Holy Are You, Satisfaction Guaranteed, Message in the Song, Still in Love.

While some the beats aren't brilliant on Rakim's solo debut released a couple of years prior to this, they drop further here. There is no absolutely brilliant song here and a lot of the beats aren't anything beyond passable. Two producers shine though. 'Real Shit'-which has a beat that sounds like something Canibus would spit over-and 'Uplift', that are produced by Ron Lawrence and The Mighty V.I.C., are among the best. As are 'Waiting for the World to End' and 'When I B on tha Mic', that have beats that you should be able to pick Premo's signature style from the first few seconds. Some good songs, but overall, if anyone other than Rakim was on this it would probably be about one star worse. Best Tracks: When I B on tha Mic, Uplift, Real Shit, Waiting for the World to End

One of the reasons I started playing this was that I read choices can be made in the game that effect the story. Some of my favourite games of late have been ones that allow the gamer to change the narrative and while that selling point isn't incorrect, the choices aren't that interesting, there are only four-after each act-and they come from the perspective of the villain, making them less meaningful. The story did lose me at times. I got the basics but I feel I missed parts, but that tends to happen with time travel tales. The levels are broken up by a live action episode with strong production values, acting and likeness to the graphical versions of the actors and settings. To the gameplay - This is a third person shooter with a bit of platforming and some slight puzzling. The puzzling is made fairly easy due to the protagonist's (Jack Joyce) time shifting abilities but you occasionally need to work out how to get to a certain height, get into a building, etc. The cover system isn't perfect but the shooting is satisfying and the shootouts are broken up well unlike some games where one can go on forever. The developers weren't stingy, Jack's abilities regenerate quickly after use and ammo is generally always plentiful. The difficult is heightened by a fair margin at the final boss, but once you work out a strategy it's more than doable. A fun TPS with some originality (although it does remind me of TimeShift) that you'll want to finish within a few sittings. Gameplay 4/5 Graphics 4/5 Sound 4/5 Difficulty 4/5 Originality 3.5/5

I generally don't love '80s and really early '90s hip hop production but here it's good enough to help this album earn a good rating. D-Nice has a commanding presence on the microphone and helps to carry some of the weaker beats with many of the topics being brag-rap. It's more consistent than I remember his follow-up, 'To tha Rescue', being but doesn't feature anything as good as the Treach assisted 'Time to Flow'. Best Tracks: Crumbs on the Table, Call Me D-Nice, It's Over, It's All About Me, And You Don't Stop

A fair bit of filler is on this like most if not every T.I. album out there, but I feel this is one of his better albums. The first three tracks are quality and the kind of songs that T.I. should create a whole album of. Good rapping and hard beats. A similar track in 'Every Chance I Get' is later on in the album also. Then you have songs such as 'On Top of the World', 'Live Your Life' and 'My Life Your Entertainment' that I enjoy most of the verses but the weak choruses let them down immensely, particularly the first two mentioned - I'm not a pop-rap hater if the hooks work, but I don't feel these much. Overall, it probably has the most tracks I really enjoy from a T.I. album, but he still lacks consistency when putting an album together. Best Tracks: 56 Bars (Intro), I'm Illy, Ready for Whatever, Every Chance I Get, Swagga Like Us