A decent EP, but like I often say with EPs, if you are only going to give me a small amount of music, the quality should be of a very high standard throughout the whole project. It's a bit boring in parts and I can't say there is anything to keep in a playlist. Best Tracks: Take Time, Foe or Friend

When I can be bothered to concentrate enough to pay close attention Canibus still raps some interesting stuff, but it's been a long time since he has made a great song. There is no chorus here to get stuck in your head, that's for sure. If you love hip hop just for the spitting, and/or are a massive Bis fan, you may enjoy this, but neither the song writing or the production, all by Johnny Slash, is enjoyable enough. Beats: ★★ Rapping/Bars: ★★★ Hooks: ★☆ Best Tracks: SLICC (Intro), Every Right Thinking American, Press - PussyPanis Button

Not long ago I was checking out 'Ain't No Love' by Poohman and after commending the production, by chance here is the same producer, G-Man Stan, on this album who again produces some great west coast funky mobb music. It's a really consistent album. A solid 3.5/5. Beats: ★★★★ Rapping/Bars: ★★★☆ Hooks: ★★★☆ Best Tracks: Gangsta Shit, All in a Niggas Look, Upper Hand, Can't Be Touched

There are some boring moments here, and the album staggers to its conclusion, but when it hits, it hits hard with some great songs. Janelle Monáe kick starts her career by stealing the show with her features, with Scar's vocals upping the ante with his contributions and even Wayne bringing his non-annoying self for a change to make 'Hollywood Divorce' one of the better songs. Fitting in with the theme of the movie, 'Idlewild', there are an assortment of sounds like the blues 'Idlewild Blue (Don'tchu Worry 'Bout Me)' but others such as 'BuggFace' sounds like it would fit perfectly in amongst their older work on 'Speakerboxxx'. As mentioned, the album finishes quietly, but it also starts off a little lackluster. 'Morris Brown' should have been higher up the tracklist to give the beginning of the album some more oomph as the first couple of songs just lack enough bite. This obviously isn't their best, and could have used some more quality control, but you can't hate this too much for the best it offers. Beats: ★★★☆ Rapping/Bars: ★★★★ Hooks: ★★★☆ Best Tracks: Idlewild Blue (Don'tchu Worry 'Bout Me), Morris Brown, The Train, Hollywood Divorce, Call the Law, BuggFace, In Your Dreams, PJ & Rooster

Ralph Tresvant's 'Money Can't Buy You Love' is the instant standout on this soundtrack and maybe Ralph's best song. There are a number of other worthwhile songs scattered around the disc that are often separated by a short soundbite from the movie. Remove the clips and there are 14 songs. There are a variety of genres: gospel, new jack swing, rock, hip hop and dance. Too many aren't my cup of tea to have a higher opinion of this but there is enough to enjoy going back to with only a couple of skips like the closing rock song, 'Brother Will'. Best Tracks: Mo' Money Allstars - Mo' Money Groove, Caron Wheeler - I Adore You, Public Enemy - Get Off My Back, Ralph Tresvant - Money Can't Buy You Love, Jimmy Jam & Terry Lewis - The New Style