A decent southern/hardcore hip hop album with Big Ed's voice reminding me of Killer Mike's at times. As I've said on a number of No Limit album reviews of late, Mystikal again steals the show on the songs he is on. I would say Ed has a little more distinctiveness in his voice and delivery than some of the other No Limit artists. A consistent listen but the music never reaches a high level. Beats: ★★★ Rapping/Bars: ★★★ Hooks: ★★★ Best Tracks: My Entourage, Make Some Room, Go 2 War, Uh Oh, Buck 'Em, Shake'm Up

The first eight tracks are nicely produced, mostly banging hip hop songs. The next three offer little, but then it heats up again with 'Money Good' and 'Puff Puff Pass'. However, again it goes downhill until 'Lose My Mind', making for an inconsistent album. I do think it will be underrated due to the fact he is connected to G-Unit, but it's rated fairly well in a lot of the music mags and sites. eg. 4 Mics and XL., and has some great bangers. I'd say my favourite G-Unit release for its high moments, apart from The Game's Documentary. Best Tracks: Say It To My Face (feat. Bun B, 8Ball & MJG) (Produced By Jiggalo & Craig Lane) Get Buck (Produced By Polow Da Don) Buck The World (feat. Lyfe Jennings) (Produced By Jake One) Slow Ya Roll (feat. Chester Bennington) (Produced By DOC & Gramps) Puff Puff Pass (feat. Ky-Mani Marley) (Produced By The Bizness)

30 episodes in (I can't believe there has already been that many) and the gang are still entertaining to listen to. The original idea was that each episode was going to be Glenn, Charlie and Rob speaking about each episode of It's Always Sunny in Philadelphia, but there have been some spin-offs like a call-in show and one where they just got together and drank. With each episode, the amount of time actually spent discussing the episode seems to have dropped. Charlie has admitted that he doesn't really enjoy it as he finds it self-serving. Sometimes the tangents they go on are great, others not so much. Personally, I'd prefer more time spent discussing the details of the episodes. Getting Danny and other guests like Jimmi Simpson on the podcast would be other worthy additions.

Everywhere I look this is called 'Whitey Material'. It's an obvious typo and/or weird font that has been used because the name makes no sense in the first place and the lyrics are clearly 'Wifey Material'. I can't find a lot of info on this, but it's on their Spotify (Edit - It was removed). The cover has 1990 written on it but 'The Rah Rah' is from the 2002 album, IIcons, 'Wifey Material' is on discogs as a 2000 release and Treach says "2000" on 'Don't Believe in Anybody'. 'Pop, Pop, Pop!' also features the same beginning to a verse that would appear on 'Red Light', also from IIcons. My guess is that these were songs created between Nineteen Naughty Nine and the aforementioned album. Nothing here touches their best work but if you are a fan you will enjoy the listen. 'Don't Believe in Anybody', with its catchy beat is probably the best along with the hardcore 'The Rah Rah'."

This had been on my to watch list since it was released. It received and maintains an incredible reception. I decided to watch it after feeling like an action movie and searching 'best action films of all time'. This was at the top of the list. That being so, I expected a lot and was worried it wouldn't live up to the hype. It didn't. The film is basically a two hour car chase with explosions and fighting. The plot is almost as thin as it gets. It also has a number of similarities to Waterworld that by chance I just watched a week or two before this. Max isn't even the main character here and there is no depth to his character. It should've been called 'Mad Imperator Furiosa'. It's also an ugly movie to look at with nothing but sand in the background for 90 percent of the film. Some of the choreography in the action scenes is impressive and there are aspects that are unique that earns this a decent rating, but I'm at a loss to why people love this so much.